Sabtu, 08 Oktober 2011

Prabu Kingdom Graffity


Graffiti sketches is where most newcomers begin but really you should start by asking yourself - graffiti - what does it really mean to you? Most people see it as something that emerged only in modern society, scribbled by urban youth on railway bridges. However, its use can be traced back to ancient civilisations, such as the ancient Egyptians whose hieroglyphics could be considered a form of what we know today as graffiti. One can even say that graffiti or writing, as it is more commonly known, dates back to the origins of mankind itself, when Neanderthal man's sense of his environment was expressed through cave drawings.
More often than not graffiti has been characterised as vandalism due to its associations with the spray-painted drawings you often see plastered over buildings and walls in cities.
Graffiti art can be categorised in three common forms: Tags, Pieces and Labels. All of us have walked down a street and seen various walls covered with graffiti, but can we differentiate one item of graffiti from another? The most common and the easiest to recognise is a tag.
A tag is usually a simple one-coloured design (though it can be more complex). Put simply, it is a depiction of a writer or artist's nickname or message, and its aim is to send a message to other writers.
A piece or masterpiece is a more complex form of graffiti art where a writer usually starts with some kind of pre-conceived plan or sketch. A piece tends to take graffiti art more in the direction of character art, which has a big fanbase. People will often be able to distinguish a writer's work by their character designs alone. Artists like D*Face, Insa, Sickboy and Inkie can all be recognised by the characters or symbols in their pieces.
A label is when a writer's tag or character design is printed on posters or stickers. Labels can be found in most cities around the world. This can be a great way for all kinds of artists to promote their art far and wide; usually tags are quite hard to see and they are only going to draw the attention of people interested in street art. You often see labels plastered on the back of street signs, lampposts, and anywhere with a smooth surface that can have something stuck to it.
Although graffiti art seems to have been part of the mainstream for ages, it was not until the 1970s that graffiti reinvented itself with a more modern term named writing, which first took root in the United States and later spread across the water to Europe.
The last decade has seen writing really take hold of the global art scene with celebrities emerging from the hub of graff artists around the world. It is only now that you hear about graffiti events like Secret Wars and people like American actress Angelina Jolie forking out £100,000 for an original piece by the notorious Bristol-born artist Banksy. Also, a new record was recently set when a piece went for a massive £280,000.
Graffiti art is the new cool, with hundreds of companies in the last few years jumping on the street art bandwagon. Graffiti is no longer just a shunned art form, yet it still manages to stay true to its origins by remaining accessible to the younger generation. Graffiti it seems is here to stay.

Style Garffity Enzine Prabu








































In particular the use of the bold style lettering is really distinctive to graffiti art. The images themselves will usually be hard hitting, and be painted in stark colors utilizing strong shadows and outlines to add depth and definition. Images usually depict social or political issues close to the artist's heart.
Before you start a piece of graffiti art, you should draw a small scale version of the large piece you want to create first, then when you begin your actual piece, its a simple task of just scaling up your graffiti sketch.
If you need ideas for a graffiti font to use, there are plenty of sites online that have examples for you to copy. For the outlines, use a fine marker pen. In order to produce a 3D effect, shade around the letters you've outlined with a different color. Then use permanent markers to color in your letters.
Once you are ready to paint your sketch on to your larger canvas or wall, you need to draw a reference grid over your small drawing. Sketch a full size replica of the grid on to your wall or canvas that you are using for your scaled up graffiti piece. Use either chalk, charcoal or diluted paint to draw the large grid. To make marking the grid out easier, the simplest thing to do is to use a piece of string.
Use chalk or charcoal to transfer your small drawing on to you larger canvas. Use an aerosol can to paint the background in using diluted paint, keep the layer thin and allow it to dry before you start your coloring. When you've finished the outline and the background, it's time to add the colors and detail. Again use aerosols to add the colors. Start with the lightest colors first and the largest sections, and then move on to the detail and the smaller areas last.
When you've colored your work in, you can add the fine definition with a brush to enhance the fine lines and borders around your figures and letters. You can preserve it for years to come with a thin layer of varnish.
These are all the steps you need to master if you want to paint impressive graffiti art

Kingdom Graffity

The disused power station at Huncoat (between Accrington and Burnley) is easily the best hidden graff den I’ve ever been to. Rubble and crud are everywhere, right next to stunning pieces from the Trans Pennine Nomads (TPN) crew (and a few others). A visual overload; you don’t know where to look (actually I do know where to look….. look up for graffiti… and look down for that pit full of glass and old shoes that you are about to fall into you spanner….).


In February I finally summoned up some enthusiasm to get out of Manchester and bob back up to Huncoat (see part 2 of this blog). Due to the snow and my own internal GPS system going strangely loco [Pryme later described it as a “schoolboy error” - lol], I didn’t manage to get down to the other spot, so I went back a week later after arranging to hook up with the fabulous Mr Pryme himself.

Pryme had been painting with TeaOne from Preston the day before, and he wanted to finish off his own piece, so we yakked whilst he tried to perfect his side of the wall.

TeaOne's piece.....





Pryme in action.....







I probably put Pryme off, because he ended up not liking it and going over it a few days later with a chrome and black number (watch out for a 'Chrome & Black' blog coming soon-ish...)

We then went off to the other spot where back in brassic January Pryme had been doing a lot of work with Burnley writer, Slack - a name I previously didn‘t know. Yes, these pieces (and they genuinely can be called masterpeices!) were all being done outside in the coldest winter for years, when many writers are still hibernating! :-)




The whole wall looks great, including this first piece, the most ‘traditional’ of the three, and one that looks extra sweet when cropped down to just the wall itself.



Everyone loves a good chrome and black don’t they (it’s like a friend who makes you smile, or a musician that makes you gasp; it‘s the comfort blanket of graff…) and this is one of the best I’ve seen, with a really effective idea of having two cut-outs of how a colour piece would look.





And last but definitely not least, this peel-back style had writers everywhere wondering why they hadn’t thought of that before.... Genius!!